Work wise I was run off my feet once again and almost literally in December which proved to be extraordinarily challenging due to the shitness of the weather and the fact that I was researching all over the country. It was a real struggle, very stressful indeed.
Some great clients which include STV, Ampersand, Corporation Pop, 60 Watt, nmp and LA Media from last year. But added a few too including Gill’s Cruise Centre, Paligap, and The Usability Lab.
My golf stank pretty much from start to finish and I had a poor Arran and a poor St Andrews. However one highlight was an Eagle 3 on the par 5 second in the club championships first round. I won that but went out in round two. However Forty years of failing to Eagle were finally over. (Tom got about 6 last year alone).
Musically it was a big return to form after very poor shows in both 2008 and 2009.
I’ve already posted my tracks of the year elsewhere which will give you an idea of my top ten albums, but for the record, these are they…
I’m New Here by Gil Scott Heron
Band of Joy by Robert Plant
The Courage of Others by Midlake
Queen of Denmark by John Grant
The Suburbs by The Arcade Fire
Sky at Night by I am Kloot
Elektonische Music Experiment – German Rock and Electronic Music 1972 – 1983
Write About Love by Belle and Sebastian
The Lady Killer by Cee Lo Green
Seasons of my Soul by Rumer
My blog had a record year, just, with 340,000 hits, up 45,000 on last year and beating 2008 by only 1,000. As a result I hit the million mark last week and raised over £1,000 for St Columba’s Hospice in the process. Thanks to all who contributed.
I did two music quizzes (one in Edinburgh and one in Manchester) for NABS and these raised £3,500
The Hibees were a farce from year start to end and our Scottish cup hopes look less plausible than for a very long time. Looks like we’ll be going at least 110 years before winning it again.
Theatre again played a big part in my year.
My role as a director of The Lyceum developed and I thought Mark Thomson had a vintage year. Every show was a hit in some form or other and the highlights for me were The Beauty Queen of Leenane, Confessions of a Justified Sinner, The Price and The Importance of Being Earnest.
FCT had another good year, my first at the helm and I’d like to thank the fab committee for their support. Two great shows in Just So and Guys and Dolls and another ENDA award. Annie’s next but no decision yet on the festival. Our away day in October was deemed a great success.
Amy started at Uni and is working hard as she has done all year at Dakota. She bought a virtually new car herself ( a Toyota Yaris) and I was really proud of her for being so focussed to be able to do this. Ria is working hard at school and did really well in her standard grades. Tom isn’t and didn’t.
Tom’s golf continued to improve and his handicap went from 11 to 7.
Sadly Jeana’s blossoming work at Suntrap came to an end when the funding was pulled. She was devastated and I suspect still is.
We holidayed in California and it was a tram smash of a holiday from start to finish, summed up by this video…
In books I didn’t read much. I am enjoying Freedom by Jonathon Franzen but the best of the year was the Red Riding Quadrilogy by David Peace.
fantastic series of horrific police brutality .
And my movie of the year? Well, I saw over 20 movies at the flicks this year and a lot of real quality. But I plump for The Social Network. A Prophet was great as was Monsters and The Road, but David Fincher surpassed himself with an amazing script by Aoron Sorkin.
TV show of the year? No Question. Mad Men (we’re playing catch up and only nearing end of season two but it’s fabulous).
In reality TV The Apprentice continues to kick ass.
Digital gizmo of the year? My iPad… but also my Canon 450 D. An up and down year on the camera front but happy with my lot and looking for a Canon 5D Mk 1 and a new 28mm prime lens to move on a level in 2011.
Idiot of the Year? Won hands down by Nick Clegg. Only cos he sold his soul to the devil. But he was run close by those fools that lead our government. You know who they are. Tony Blair continued to make a right fucking dick of himself and the legacy of Kenny Macaskill is not away yet with Magrahi in the rudest of health.
Sadly I lost a number of friends during the year; Myles, Kathy and Jim, I’ll miss you all. God bless and love to all of your families.
Wife of the year? Jeana Gorman. 21st year running. How can she bear it?
Put it this way. Icouldn’t live with me. Still.
And so to 2011.
My hopes?
Hibees win the Scottish Cup. (That’s just stupid. Ed.)
Tom gets down to a 4 handicap.
I win something, anything, at Golf.
The kids do well at school and uni.
I am healthy throughout. (And lose rather a lot of weight.)
I stumbled upon this at Fopp and paid top dollar for it (£15). It’s a double CD compilation of German Electronic Music of mainly the 70′s. The school of musical experamentalism that gave us Can, Faust and Nue (the best known exponents ) also gave rise to a host of widely disparate sounds. Some funk, some jazz, some electronic. All interesting.
Interestingly, no Kraftwerk, but they came from a different school and were less overtly political than this bunch who were rebelling against the worldwide reputation that Germany had earned itself in the wake of the second world war.
No two tracks arte the same but there is a great deal of overlap and their influence can certainly be heard in the work of early Human League (Dignity of Labour EP) and a host of other later bands.
One of my own favourites is Hans Joachim Rodelius who is represented here on his own and as the band, Cluster, the other member of Cluster, Deiter Moebius also pops up with a track.
Only Casn and Amon Duul get two tracks so the variety is huge.
This blurb is from a youtube descriptor of Can’s Monster Movie which Will tells me is their masterpiece…
“On first hearing Monster Movie’s relentless grooves (especially Yoo Doo Right & this, the album’s opening epic) I was smitten with ‘The Can’ – convinced I was listening to some eternal music that the Greek Gods used in keep fit classes. The interplay between drums, bass and vocals is astonishing here and all due respect to Malcolm, Holger & Jaki…… Footage taken from an early 1970s LWT anthology horror / thriller series called ‘The Frighteners’. In this Mike Hodges episode, a father appears to kill his baby, then wife…. But not all is as it seems. Cruel, madness-inducing drama is inherent in the imagery as well as Mooney’s singing – one of my favourite vocal performances of all time.”
Judge for yourselves.
This is from Monster music too…
“Can was a musical group formed in West Germany in 1968. One of the most important “krautrock” groups, Can had a style grounded in the art rock of bands such as The Velvet Underground, with strong experimental and world music influences. Can formed in Köln in 1968, comprising bass guitarist Holger Czukay, keyboard player Irmin Schmidt, guitarist Michael Karoli, and drummer Jaki Liebezeit. In the autumn of 1968, the band enlisted the creative, highly rhythmic, but unstable and often confrontational American Malcolm Mooney, a New York based painter (who in fact had never sung before), with whom they recorded the material for an album, Prepared to Meet Thy Pnoom. This first album was rejected by their record company, and was not released until 1981, under the name Delay 1968. The band decided to record another album of original material from scratch, which later became Monster Movie, released in 1969. Mooney’s bizarre ranting vocals stood in contrast to the stark minimalism of the music, which was influenced particularly by garage rock, funk and psychedelic rock. Repetition was stressed on bass and drums, particularly on the epic “Yoo Doo Right” which had been edited down from a six-hour improvisation to take up a mere single side of vinyl.
Mooney returned to America soon afterwards on the advice of a psychiatrist, having been told that getting away from the chaotic music of Can would be better for his mental health.”
If you’ve got this far you will acknowledge that ingestion of forbidden fruits were commonly associated with the appreciation of Can’s music.