365 by the national Theatre of Scotland


I was privileged to be among the audience at the opening night of The National Theatre of Scotland’s Festival production of 365 -a new play by David Harrower (appropriate name) and directed by Vicky Featherstone, at The Playhouse in Edinburgh last night.

The show was sold out and for good reason.

It’s a polemic piece about the plight of young people entering society after life in care. The show explores, through a cast of about 16, mostly in their teens, what the reality of life is in such a friendless, hostile and downright scary environment.

It’s performed by an ensemble, so no one particular actor stood out. But the technical achievements were noteworthy. Set, sound design, lighting and choreography were all outstanding. Paul Buchanan’s specially commissioned song that forms a central part of the denouement is spine tingling.

The acting is universally good and at times excellent.

But the greatness of the play is all about the writing.

This is very modern theatre and, as such, doesn’t follow a plotline or typical narrative structure and although it’s fairly bleak it’s by no means humourless. Fundamentally though it touches on the very darkest side of society – misogyny, neglect, class, prejudice, sexual orientation, fear and lack of confidence. Essentially it is about loneliness because most of the relationships we witness are a veneer.

Life as a kid with no familial network is not a good place to be and David Harrower brings this into sharp relief quickly and consistently.

I think it could do with a touch of editing but overall this is an important, thought-provoking and engaging piece of work.

I notice it’s playing at the Lyric, Hammersmith from 9 – 29 September. Not knowing the theatre I suspect it will be rather less spectacular than in The Playhouse which, as a stage, offers wide open spaces (and which contributed to the theme of isolation by its very brooding presence).

It’s distinctly Scottish, but the points it makes are universal and you lot in Englandshire shouldn’t struggle too much with the dialect. (You might not like the language though. My god, the National Theatre of Scotland like a fucking swearword do they not?)

Nancy Langat


Kenya's Nancy Longat winning 1500m.

Kenya's Nancy Longat winning 1500m gold at Beijing.

Kenya’s Nancy Langat won the Gold in the 1500m this afternoon. But you’d be forgiven for not noticing it as Brendan Foster wittered on in True BBC biasedness about fourth placed Lisa Dobriskey.

Is it just me or Brendan Foster past his sell by date?

God we can be tedious bastards, us Brits. But we’re quick to criticise the Americans for it.

Anyway, because Brendan did not properly acknowledge your victory Nancy, I will.

Well done Nancy Langat.