I will be performing on Saturday night at 7.30 in the Forth Adults Theatre Christmas fundraising show which promises to be a right good Christmas heart warmer. It’s at Holy Cross Church Hall in Bangholm Loan, but if you want tickets best make contact before the night as it will sell out.
My fellow uber-talents will be singing a range of Christmas crackers, but singing solo scares me too much so, perhaps appropriately I’ve decided to scare the audience in a different way. So I shall be debuting a freaky ghost story that is a real chiller.
I’m shitting myself just thinking about it.
I took the whole family to see this on Saturaday. A rare occurance that we were all engaged in the same activity for any more than five minutes. I wasn’t entirely expecting willing compliance but was surprisingly proved wrong as we all set out with an open mind and eager anticipation.
It’s a major challenge to mount a stage adaptation of a well known (and loved; although I never read it) book that has just been through the Holywood special effects machine. On the one hand it can never reach the pyrotechnics of movieland and on the other it’s a big ask to reach the heights of children’s imagination that reading inspires. I am glad to say it rose to the not inconsiderable challenge. Director Mark Thomson refers, in his programme notes, to the central theme of good versus evil being eternally relevant and, of course, this is true.
The show is a visual spectacle. The flyman has had a bit of work to do in recent Lyceum shows, but not that much. I think he’ll have lost a couple of stones by the end of this run because the magical world of Narnia is revealed and hidden regularly by way of flown in scenery and quite a few trucks too (that’s theatre techy speak. If you don’t understand it try Google.)
I’m constantly amazed by the Lyceum’s sound/music man, Philip Pinsky, who is an ex member of Finitribe, and who brings a huge amount to this production, not least the electric opening scene that reminded me in some way of the Atonement soundtrack. It’s absolutely brilliant.
The acting is universally good although there are two undoubted standouts, the White Witch, played by Meg Fraser who is quite astounding. Her mix of evilness, oddness, weirdness and clowning is a rare thing indeed, and Owain Rhys Davies as the Dwarf is hilarious.
If I have one criticism it sagged a little in the second act but overall this is a really wonderful Christmas treat that you might be lucky enough to get a ticket for. But you better get a move on.
Is there anyone else out there who is as obsessed by this programme as me. We have it on series link and I can’t wait to see what has happened next.
If you’ve missed this programme, now in it’s final season, it’s about single mother, Lorelai Gilmore and her daughter Rory. They live in the fictional town of Stars Hollow, Conneticut. The series explores family, friendship, generational divides and social class.
The show has won an Emmy and was nominated for a Golden Globe.
I don’t know how I will cope when it finally finishes
I should just point out that Jeana wrote this post, In no way do I endorse its contents. Indeed I hate this programme. Mark
It was a post for the ladies really, but there might be some men out there who like it.