Bassett by The Lyceum Youth Theatre at The Traverse (until Saturday)


This is  Christie O’Carroll’s first, and stunningly, directed show for Lyceum youth and it is blessed with not only a cracking script by James Graham but also a gifted cast; in particular the quite mesmerising performance of Aaron Jones as the central and most troubled teen, Leo.

He’s not alone in deserving acting plaudits.  For a start it’s an excellent ensemble show and cleverly written to give all 14 young actors their moments to shine.  But inevitably there are stand outs.  For me they were the aforementioned Aaron Jones who, although slight of build, puts in a gargantuan performance.  In a smallish but rocket fuelled cameo (it’s much more than that really, but her spell in the limelight is a true short sharp shock) is Lucia D’Inverno as Lucy and throughout the laughs are provided by Hannah Joe Mackinlay as Zoe and on slightly more cerebral level by Tom Palmer as a quietly understated Amid.

The play delivers 40 minutes of changing mood and pace and centres on a school classroom in Wooton Bassett the day that a local hero is repatriated from Afghanistan in a wooden box.  The dead ‘hero’ is Charlie an ex pupil and idol (in different ways) to many of the classmates.  His death and the resulting ritual parade through Wooton Bassett are an incendiary device to the class who are inexplicably locked into their classroom by a particularly inept supply teacher just as the parade is about to happen.  This enrages Leo who gradually winds up his classmates as he himself becomes convulsed by the situation.

This ignites a classroom discussion which covers just about every subject a class of fifth formers would typically cover in their social life; sex, politics, slagging each other off, sex, toilet humour, being gay or not, sex, x box versus PS3, sex and swearing.  Oh, and sex.

It’s laugh out loud hilarious at times but gradually darkens as the mood swings from resentment at being excluded from the parade to bitter political ideological debate about the futility of war, nationalism (racism really), sexuality and religious belief.

It’s a tremendous script.  It’s expertly directed and it leaves the audience really quite shell shocked.  Although I have not yet seen Black Watch live I suspect it has that sort of visceral impact.

I strongly recommend that you see this.

The supporting performance consists of two one act dramas written by young writers on the Traverse’s Scribble initiative.  Tonight I saw “Is this it?” ( a thought provoking and very mature piece by Kiera McIntosh-Michaelis & Alex Porter-Smith) and Bang by Kelly Sinclair, a highly amusing insight into life in a detention class.  These pieces rotate on a performance by performance basis with four other, presumably very short, scripts.  Each are acted (with scripts) by members of Lyceum Youth and both were very enjoyable.

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