Mark Thomson’s stunning season at The Lyceum has been rewarded by no fewer than six nominations at the CATS (Critics Awards for Theatre Scotland). That’s as many as the NToS. He’s up against some tough competition, not least in Roadkill which I fancy will do extremely well. But many of you will have read my reviews of the two shows in particular that are attracting attention;
Age of Arousal, is a stunning new co production with Stellar Quines. It has received nominations for best ensemble, best director (Muriel Romanes), best design and best production. Here’s what I thought of it in February;
Although I said previously ‘Our two leads’ this is in actual fact as ensemble a show as one could imagine…This is a play that is richly and deeply textured; interestingly realised with beautifully subtle sound, video and lighting design and costumes (designed in a third year project by Edinburgh School of Art Students) that for me were the best I’ve seen on the Lyceum stage in a long time….This is an absorbing two hours of entertainment with a feisty and often hilarious script that batters along holding you firmly in its thrall throughout…It’s a gem.
The Importance of Being Earnest . This was a hilarious theatrical evening and Joyce MacMilllan absolutely loved it, naming it as one of her theatrical highlights of 2010 in her annual round u. Mark Thomson got the recognition he so richly deserves as he is nominated as best Director. Here’s what I had to say at the time about Mark.
Mark Thomson is on fire.
His last six or so productions have not only been outstanding in my personal opinion, but also in that of the critics.
There are more stars kicking around the foyer of The Lyceum right now than in the Milky Way and that is because he, as artistic director, is mounting productions that are great. Really great.
Earnest is no exception. Although four acts long (usually three) it passes in the blink of an eye. Rarely have I seen a show crack along at such a ferocious pace. You really do need to keep your wits about you to catch all of the gags in this script.
Educating Agnes. I saw this show twice and my review of Peter Forbes seems vindicated as he is nominated for Best actor.
Peter Forbes as Arnolphe performed as commandingly as anyone I’ve seen on this stage in recent years. He stands alongside Stanley Townsend, in A view From The Bridge (for me at least), in this respect.
On stage for almost the duration and with at least 50% of the dialogue he never put a foot wrong. But much more than this, the interpretation he put into poor old Arnolphe’s twisted character, the labyrinthine logic that he applied to the morals and ethics of creating a concubine out of Agnes and the despair that ensues as it all goes horribly wrong is expressed through shrieks, hollers, quasimodo-like grimaces and bodily twists and turns that make you squirm in your seat.
He is epic.
Not bad to have three out of seven shows on the shortlist. So good luck Mark, Muriel and co at The Festival Theatre in June.
It’s nice to see also that Ria and I chose a goodie when we went to Dundee Rep to see Sweeney Todd because that too has been nominated (no fewer than five times!)