But I rather admire it.
I’ve spoken little on this blog (but a lot on FCT’s) about the show the young people’s theatre that I chair is putting on in the Fringe this week. However I’d like to redress that now. It finishes on Saturday night and unfortunately we have tickets left.
It’s a little known show; unknown would be a better word but we are privileged indeed to have its creator (Iain MacDonald from Greenfaulds High School in Cumbernauld) as our musical director. Alongside him are Vic Laing as director, Kirsty Shaw as his assistat (at a mere 16 years of age) and Katy Barry as our voice coach.
It has been a special week as audience member after audience member have gasped at the professionalism of the show, the quality of the production and the sheer exuberance and ability of the cast allied to outstanding and memorable songs.
Well done everyone on stage and off for the power of work you have put in and the quality of the work that has emerged.
Here’s what the Evening News (respected critic Thom Dibdin) had to say…
A JAZZY score and light-hearted banter underpin the strong and serious message of FCT’s well-judged musical offering for the Fringe.
Originally produced by the company in 1985, The Chess Game is written by their musical director Iain MacDonald. It is both a timely piece of entertainment and one which perfectly weighted for its young performers.
A collection of anonymous, white and black-clad figures emerge out of darkness. Over the musical they form up into a hierarchy, with individuals taking the roles of the chess pieces, and then the pieces take on the aggressive qualities of the game of chess, to a brilliantly twisted finale.
The older members of the cast, such as Rebecca Gilhooley as the White Queen, and the quartet of girls as the media-savvy Knights, put in strong and subtle performances.
The younger members shine too. Hayley Scott and Liam Thomson as the lead pawns trade on their strengths – hers in her voice, his in his acting – with great, heartfelt performances.
Which is what makes this production so entrancing. It entices the performers out of their comfort zones – but not so far as to leave them exposed – with strong music and great rhythms that are complex in structure, but satisfying to listen to.
Run ends Saturday
Please let me know if you would like tickets.