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Manchester by The Sea: Review

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About one third of the way through this, quite long (137 minutes) movie the swelling strings and organ of Tomaso Albinoni’s Adagio for Strings and Organ in G Minor start to stir and build through 8 minutes and 35 seconds.

Unlike traditional screenplay music the classical piece, performed by the London Philharmonic Orchestra, does not subtly grace the background, it grabs you by the throat and dominates the proceedings to the point, almost, of discomfort.

(Some reviewers feel it is heavy-handed, I felt it was well judged.)

The fact that it is in a minor key and is achingly melancholic bursting with sadness, despair and grief absolutely encapsulates the mood of Lonergan’s creation.

I found these lyrics written for the Adagio and they could in fact be the inspiration for Kenneth Lonergan’s Screenplay although I very much doubt he has seen them…

So turn away!
Turn away, turn away

I am alone, I am alone!
I am alone
I am alone
I am alone

Go turn away, go turn away
Turn away, turn away
Turn away,
Turn me away

Alone!
Damned!
Go home!
Gone in darkness
Light, surpasses

All ….
All, is one now!
All, is gone now!
All, is gone
Truthfully
Truthfully
Truthfully
I am gone.

I don’t recall a Hollywood movie so built around grief and that grief is etched into every pore of Casey Affleck’s face. Surely he is a shoe in for best actor at this year’s Oscars.

Lucas Hedges, as his orphaned nephew who Casey Affleck, as Leo – a dead end Janitor – suddenly becomes guardian to after the death of his brother, plays a nuanced role as the troubled teen who can at least find solace in school, sex and band practice; even if his band is dire.

(Actually, there are also a lot of laugh out loud, mainly awkward, moments in it which were entirely unexpected to me.)

It’s  essentially a two header between them although Michelle Williams plays a strong support role, albeit brief in screen time.

To be honest, even calling it a two-header is to downplay the importance of Casey Affleck in this movie.  In truth it is really a study of him alone with supporting characters used ostensibly as dramatic devices and props.

The trailers do not reveal the depth of the storyline, which is devastatingly sad, and for some almost too much to bear.  My wife sobbed almost uncontrollably throughout the third act.

But despite all this, personally, it didn’t quite capture my heart.

Maybe I was in the wrong frame of mind.  It’s a great, albeit slightly one dimensional, movie with a brilliant central performance and a strong screenplay with a good ensemble supporting cast, but that’s not enough to make it the movie of the year.

That said, I would strongly recommend it.

 


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