Recent Listening: Penguin Cafe, The Imperfect Sea.


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Not to be confused with The Penguin Cafe Orchestra that disbanded upon the untimely death of its leader Simon Jeffes in 2007, the Penguin Cafe is actually a different band, although it includes some of the previous members and is led by Simon Jeffes’ son, Arthur.

Live, The Penguin Cafe play many of The Penguin Cafe Orchestra’s favourite pieces and it has been my privilege to enjoy them live twice (Usher Hall, Edinburgh and Glastonbury) but they record in their own right and The Imperfect Sea is their third, and best, album.

I read that Arthur was concerned that this latest recording was taking them to new places and ran the risk of disaffecting long term PCO fans.  I can reassure you Arthur that you have done no such thing.

It’s a bobbydazzler.  It really is.

It’s far from imperfect.

The sound, as my good friend and long term PCO aficionado, Jon Stevenson, said to me the other day lacks some of the humour of the PCO and he is right. The Penguin Cafe are a more serious bunch of musicians and their output is perhaps more orchestral than the PCO which was more folky in totality, but this matters not a jot when the quality is so high.

I’ve listened to The Imperfect Sea 5 or 6 times in the last few days and there is nary an off note.  Sure, the first time I listened I was riding my bike and the constant ‘ping’ of cycle bell on Cantorum was a mite discombobulating, but it’s endearing also and hearkens back towards the PCO’s playfulness.  (It has a small debt to pay to the mighty Telephone and Rubber Band).

Ricecar, the opener, is a classic of sequenced music and is certainly of the PCO school.

Overall this is a mighty addition to the PC/PCO canon.

Fully operational hi-fi.


To regain full use of one’s hi-fi is a first world delight.

My turntable has been operating on a semi-functional basis for some time until I bit the bullet and took it to Hi Fi Repairs – a one man operation on Clarke St in Edinburgh.

£48 later.

The man is a genius.

He can repair anything; including my 30 year old Castle speakers and now my 30 year old Ariston Q Deck. (It seems it does go on and on and on and Ariston.)

So I have christened it with Talking Heads, Remain in Light.

Not a bad choice.  Please enjoy with me.

 

 

Alien Covenant: Movie Review.


 

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In which a young Michael Fassbender utters the immortal line to his older brother, also played by Michael Fassbender, as he teaches him how to play a penny whistle, “I’ll do the fingering.”

Stop.

Stop right there.

That was silly right?

Alien:Covenant is Ridley Scott being let loose on his wildest fantasies and this time it’s almost all about religion.  He’s apparently in thrall with the notion that Aliens are gods or some such claptrap.

The name of the ship is ‘Covenant’, the name of the ‘Synthetic’ that was on Prometheus but has met its fate and who forms a big part of this movie’s plotline was David (Michael Fassbender) and David has lured his ten year the junior ‘brother’ Walter (also Fassbender) to Prometheus and to seek the fate of the 2,000 ‘covenanters’ on board ship.

Although Walter is a more advanced model he is more deeply flawed and has had his emotional intelligence reduced as it became apparent that David was too advanced.

Meanwhile, because this is 2017 rather than 1979 special effects, we get to see much more Alien action, which is in itself good (and creepy) but it’s OTT and the Aliens as organisms appear less developed because, remember, this is a prequel to Alien and in the time between the two movies the Aliens have evolved.

It starts great (but slow) the sets are miraculous and the acting largely decent (Katherine Waterston as Daniels is commendable) but the religious theme becomes more and more overbearing and the relationship between Fassbender and Fassbender is preposterous (although well acted).

Although the SFX are great they are just too much and the whole movie descends into a disappointing silly pet project that needs much more script supervision.

Not great I’m afraid.