Call a psychologist: quick!


DAWSEY: You said yesterday when you were leaving that you were skeptical of a climate change report that the government had done. Can you just explain why you’re skeptical of that report?

TRUMP: One of the problems that a lot of people like myself — we have very high levels of intelligence, but we’re not necessarily such believers. You look at our air and our water, and it’s right now at a record clean. But when you look at China and you look at parts of Asia and when you look at South America, and when you look at many other places in this world, including Russia, including — just many other places — the air is incredibly dirty. And when you’re talking about an atmosphere, oceans are very small. And it blows over and it sails over. I mean, we take thousands of tons of garbage off our beaches all the time that comes over from Asia. It just flows right down the Pacific, it flows, and we say where does this come from. And it takes many people to start off with.

Widows: Movie Review.


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I love Steve McQueen movies.  I really do.

But he makes some strange decisions and isn’t 100% consistent.  This is one of his mis-steps.

Thankfully and rightfully (IMHO) 12 Years A Slave won best movie at the Oscars last time out but its predecessor, Shame, was an oddly unsettling cinematic experience.

His debut, Hunger, has been overlooked, again in my opinion – I think it’s a masterpiece and gave Michael Fassbender his launchpad.

So, now.  Film Four.  (By Film Four.)

It’s based on a fairly pulpy Lynda Le Plant TV series, but Mcqueen has reimagined it for the arthouse.

Some elements of it are great, not least Viola Davis in the lead role and the stunning cinematography.

But after that it starts to break down.

It’s a bit cryptic.  One of the baddies’ diction is so bad as to render whole scenes indecipherable, the resolution is confusing and it’s too long.

It’s a bit boring if truth be told.

Sorry Steve, mate.

 

Suspiria: Film review.


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I was thrilled to see the original of this movie by Dario Argento at Summerhall in Edinburgh during this year’s Fringe with the original score performed by Goblin, live on stage.

It was a great experience but, in my view, it’s an overhyped movie with little to recommend other than the astonishing score and the remarkable cinematography in its vivid, over-saturated colour.

The film itself is pretty unremarkable.,

But it was enough to tempt me into seeing the remake which is, in my view, much more remarkable.

It’s an incredibly odd follow on from director Luca Gaudanino’s “Call Me By Your Name’ – a touching and sentimental coming of age gay romance set in Italy and starring the incredible Timothy Chalomet.

This leaps genres like I’ve rarely seen a director do.

Gaudanino’s remake has none of the zing of the original, indeed the colour palette is quite muted.  It’s also dull throughout as a result of the endless rain (then snow).

It’s set in 1977 West Berlin with the Baader-Meinhoff (RAF) gang in full flow and providing a sinister backdrop to what is already a sinister movie.

Guadanino casts Dakota Johnson (50 Shades of Grey) and a malevolent Tilda Swinton brilliantly, but I also liked the performance of Mia Goth as Johnson’s best friend in a crazy dance school.

The award winning dance school that Johnson seeks and gains entrance too after a remarkable audition is actually a witches coven and Johnson appears to be the next sacrificial lamb to the God the witches worship.

But it’s not that straightforward.

It’s a long, slow, considered movie with an inevitable Sixth Act (yes it’s presented in six acts) denouement that’s a fantastic gore-fest.

The movie is getting mixed reviews and I understand that.  It’s really slow.  It’s arthouse not shock mall theatre.  If you want Halloween forget it.

But it’s great.

Really well directed and acted and Thom Yorke’s score is great although less intrusive than Goblin’s.

Recommended.