2010. In hindsight.


Not a bad vintage actually.

Work wise I was run off my feet once again and almost literally in December which proved to be extraordinarily challenging due to the shitness of the weather and the fact that I was researching all over the country.  It was a real struggle, very stressful indeed.

Some great clients which include STV, Ampersand, Corporation Pop, 60 Watt, nmp and LA Media from last year.  But added a few too including Gill’s Cruise Centre, Paligap, and The Usability Lab.

My golf stank pretty much from start to finish and I had a poor Arran and a poor St Andrews.  However one highlight was an Eagle 3 on the par 5 second in the club championships first round.  I won that but went out in round two.  However Forty years of failing to Eagle were finally over. (Tom got about 6 last year alone).

Musically it was a big return to form after very poor shows in both 2008 and 2009.

I’ve already posted my tracks of the year elsewhere which will give you an idea of my top ten albums, but for the record, these are they…

I’m New Here by Gil Scott Heron

Band of Joy by Robert Plant

The Courage of Others by Midlake

Queen of Denmark by John Grant

The Suburbs by The Arcade Fire

Sky at Night by I am Kloot

Elektonische Music Experiment – German Rock and Electronic Music 1972 – 1983

Write About Love by Belle and Sebastian

The Lady Killer by Cee Lo Green

Seasons of my Soul by Rumer

My blog had a record year, just, with 340,000 hits, up 45,000 on last year and beating 2008 by only 1,000.  As a result I hit the million mark last week and raised over £1,000 for St Columba’s Hospice in the process.  Thanks to all who contributed.

I did two music quizzes (one in Edinburgh and one in Manchester) for NABS and these raised £3,500

The Hibees were a farce from year start to end and our Scottish cup hopes look less plausible than for a very long time.  Looks like we’ll be going at least 110 years before winning it again.

Theatre again played a big part in my year.

My role as a director of The Lyceum developed and I thought Mark Thomson had a vintage year.  Every show was a hit in some form or other and the highlights for me were The Beauty Queen of Leenane, Confessions of a Justified Sinner, The Price and The Importance of Being Earnest.

FCT had another good year, my first at the helm and I’d like to thank the fab committee for their support.  Two great shows in Just So and Guys and Dolls and another ENDA award.  Annie’s next but no decision yet on the festival.  Our away day in October was deemed a great success.

Amy started at Uni and is working hard as she has done all year at Dakota.  She bought a virtually new car herself ( a Toyota Yaris) and I was really proud of her for being so focussed to be able to do this.  Ria is working hard at school and did really well in her standard grades.  Tom isn’t and didn’t.

Tom’s golf continued to improve and his handicap went from 11 to 7.

Sadly Jeana’s blossoming work at Suntrap came to an end when the funding was pulled.  She was devastated and I suspect still is.

We holidayed in California and it was a tram smash of a holiday from start to finish, summed up by this video…

http://www.youtube.com/v/E5lc8c9EsXg?version=3&rel=1&fs=1&showsearch=0&showinfo=1&iv_load_policy=1

In books I didn’t read much.  I am enjoying Freedom by Jonathon Franzen but the best of the year was the Red Riding Quadrilogy by David Peace.

fantastic series of horrific police brutality .

And my movie of the year? Well, I saw over 20 movies at the flicks this year and a lot of real quality.  But I plump for The Social Network.  A Prophet was great as was Monsters and The Road, but David Fincher surpassed himself with an amazing script by Aoron Sorkin.

TV show of the year? No Question. Mad Men (we’re playing catch up and only nearing end of season two but it’s fabulous).

In reality TV The Apprentice continues to kick ass.

Digital gizmo of the year?  My iPad… but also my Canon 450 D.  An up and down year on the camera front but happy with my lot and looking for a Canon 5D Mk 1 and a new 28mm prime lens to move on a level in 2011.

Idiot of the Year?  Won hands down by Nick Clegg.  Only cos he sold his soul to the devil.  But he was run close by those fools that lead our government.  You know who they are.  Tony Blair continued to make a right fucking dick of himself and the legacy of Kenny Macaskill is not away yet with Magrahi in the rudest of health.

Sadly I lost a number of friends during the year; Myles, Kathy and Jim, I’ll miss you all.  God bless and love to all of your families.

Wife of the year? Jeana Gorman. 21st year running.  How can she bear it?

Put it this way. I couldn’t live with me. Still.

And so to 2011.

My hopes?

Hibees win the Scottish Cup.  (That’s just stupid.  Ed.)

Tom gets down to a 4 handicap.

I win something, anything, at Golf.

The kids do well at school and uni.

I am healthy throughout. (And lose rather a lot of weight.)

Both Cath and Jean stay healthy too

The credit crunch doesn’t get worse again.

John Grant. The Queen of Denmark. (supported by Midlake)


Midlake are greedy bastards.  Not satisfied with making perhaps the album of the year (The Comfort of others) they have colluded with bandless stablemate John Grant to make eh, perhaps, the album of the year.  So expect to see Midlake feature heavily in the year end lists.

This is a very Midlake album.  It has their arrangements, touches and noodles for a start.  It strays back into Van Occupanther territory in that it explores 70’s soft rock influence (Barry Manilow, Elton John) as opposed to 70’s folk which caught their ear in The Comfort of Others.

But this is not a Midlake album.  It is most assuredly John Grant’s.  Stridently gay in its copy and occasionally whimsical, it packs a meaty punch.

I was blown away on first listening and then it got better.  The gayness of it is very evident.  But it’s what makes the album, because it gives him lyrical richness.  He combines a mix of ‘fuck you’ attitude and humour.  I have to say the only downsides of the album is when he overindulges in the humour and when Midlake over-noodle on the keyboards.

It’s a thing of very great beauty.  If you like Anthony and the Johnsons but hated his voice this might be more to your liking, Because it’s outrageously mellow.

For fans of Midlake this is required listening. (In fact I will hazard a guess that some of you who saw Comfort of Others as a retrograde step will find this re-engaging you.)

This is a great record in anyone’s language.  If it sells 5,000 copies in the UK I’ll be amazed.  Please be one of them?