OK, I have an excuse for my profound exhaustion. I’m 61 and I’m holding a job down whilst taking in exactly 60 shows.
God knows what it must be like for performers doing multiple shows, there are plenty of them, me and my wife’s favourite being Xhloe Rice and Natasha Roland (And then the Rodeo Burned Down and What if They Ate The Baby), who put on two shows and, when we talked to them, told us they were taking shows in too.
It turned out to be the fifth biggest Fringe ever in terms of ticket sales, but it was a stripped down official EIF and an uninspiring programme, apart from the dance which was excellent. What theatre I saw was sub-optimal. That said Nicola Benedetti is an inspiration.
So, as said, 60 shows with a big mix of comedy, theatre, dance and music.
What stood out?
Much, I have to say.
I get accused of gushing about what I see, but I spent months planning (advance planning) my itinerary and that paid off well with experience playing a role.
Certain venues are more likely to offer quality than others and that forms the basis of my summary.
Before I start I have to say that week one was banging with those in the know taking advantage of lower ticket prices, the second weekend saw Edinburgh simply overwhelmed, but it tailed off rapidly after that. The cost of the Fringe is scary , although I believe there is astonishing value to be had in ticket prices, even at full price. It really is a bargain if you can find good value accommodation and is surely the greatest place to be on planet Earth for culture lovers like me, in August..
The shows/Venues
Roundabout with Paines Plough at Summerhall provided England & Son (utterly stunning), Daniel Kitson and Strategic Love Play all of which were brilliant. Lady Dealer was good and so was Salty Irina, but Bangers disappointed.
Summerhall itself always inspires and Mass Effect, Ben Target: Lorenzo, An Interrogation, Klanghaus: Inhaus and Club Nights were all amazing. I didn’t see a bad show at Summerhall. I just wish I’d got Gunter and Woodhill tickets.
The Traverse had a mixed bag. Bloody Elle and No Love Songs (you need to see this in Dundee) were both gig theatre inspiration, but The Grand Old Opera House Hotel disappointed, despite the inevitable hype. After the Act was truly awful.
The surprise pick of venues (although it has been rising in my opinion) was Zoo Venues, it picked up three brilliant Fringe First and I saw them all, the Danish Insider, Funeral by Ontreroed Goed and Beasts(Why Girls Shouldn’t be afraid of the Dark) but also a great show from Belgium called the Van Paemel Family. They punched above their weight.
In dance I was blown away by EIF shows Rite of Spring, L-E-V and Alvin Ailey in that order but also the aforementioned Summerhall dance spectacle, Mass Effect.
The Pleasance delivered for me with great shows like Hello Kitty Must Die ( although still a WIP in my view) and the five star Lucy and Friends and the ever reliable Showstoppers (I also hear Icehouse was amazing).
Assembly definitely delivered. Mythos Ragnarock (Death metal Norse mythology wrestling), Baby Wants Candy, Party Ghosts and Tutu,
And even Underbelly had some quality with Kathy and Stella Solve a Murder and the quite good Choir Choir Choir.
Space nailed it with the aforementioned Xhloe Rice and Natasha Roland (And then the Rodeo Burned Down and What if They Ate The Baby).
And then, right at the end I saw Singing Sands a new Scottish play by Our Theatre at Greenhill. Magically heartwarming.
On the Festival, official, Food delighted but the theatre programme was gash.
All, in all a brilliant Fringe with one life changer. Funeral.