Filed under: Arts, creativity, music, Uncategorized | Tags: Damian Chazelle, Emma Stone, jazz, jazz movies, John legend, la la land, musical movies, musicals, ryan gosling
A bold statement I admit, when you have to size it up against West Side Story and Singin’ in the Rain. But from the first bar of Another Day of Sun – a huge Busby Berkeleyesque number – that erupts on the gridlocked freeways of LA you know you are actually in heaven.
The two central characters, Mia and Sebastian, are introduced at its finale and we set off on a love story like no other. (Are there even any other actors in the film. I’ll have to look next time. Oh yes. John Legend completely taking the Mickey out of himself. Tip your hat to him for that.)
Well, it’s like the Umbrellas of Cherbourg actually, but better, so so much better.
There are only actually 7 songs in it. So it’s quite an unmusical, musical. And neither Ryan Gosling nor Emma Stone can really properly sing. But that’s beside the point.
Writer and director Damian Chazelle (Whiplash – another magical movie about jazz) subverts the musical genre by having almost no music in the third and fourth acts. But it doesn’t matter because now he has a story to tell.
Emma Stone is nothing short of mesmerising.
Ryan Gosling. A fault free cinema superstar. He rises eloquently and handsomely to the occasion.
But even though they are both brilliant this is Damian Chazelle’s movie. He has the mark of a master with his direction and storytelling.
It even has tap dancing.
I won’t spoil it for you by sharing the full storyline as I knew nothing of it before I went to see it but I confess I was worried about the hype and the knowledge that the leads can’t sing. There was no need to worry and you shouldn’t either because this movie is about the unique vision of Damian Chazelle. He is clearly a scholar of big studio big budget musicals and has used the power of Whiplash’s success to create a dream that no-one has been allowed to tamper with. It’s a deconstruction and reconstruction of everything that makes great musicals great but with the twist outlined above.
City of Stars has already picked up a Golden Globe, and rightly so, but it’s not even the best song in the movie.
It’s difficult to go much further without spoilers so I’ll leave it at that.
Probably the best musical movie ever made. I led the applause and went to buy a ticket for the showing immediately after the one I’d seen but circumstances prevented me from watching it back to back. I’ll have to wait until later this week when it opens properly.
Put it this way I’m now extremely jealous of the 99% of the world’s population who have yet to see La La Land and I beseech you to follow my actions.
A straight 10/10. No question.
Filed under: creativity, humour | Tags: 1920's America, 1922, forth childrens theatre, jazz, tap dancing, Thoroughly Modern Millie
Do you even know what a stenographer is?
The Urban Dictionary describes it thus:
A stenographer is someone who types what people say. You have to listen carefully and type very fast to be a stenographer. On TV shows, you may have noticed someone typing everything the judge, lawyers, and witnesses say in a courtroom. That’s the stenographer.
So it’s the ideal subject matter for a tap dancing number as you tip tap away at your typewriter and that’s exactly the idea behind this number in my Youth Theatre’s production of Thoroughly Modern Millie. In this scene Millie walks the stenography test.
Millie (Emily Jackson) had sadly lost her voice on the day I filmed the rehearsal.
Filed under: Arts, creativity, movies, music | Tags: Best Supporting actor at Oscars, Buddy Rich, Charlie Parker, Conservatoire, Drumming, jazz, Jazz Drumming, JK Simmons, Lincoln Centre Jazz Band, Miles Teller, oscars, Whiplash
As the end credits rolled I let out an uncontrollable cheer and burst into spontaneous applause.
It wasn’t a film festival premiere, it was a cold Saturday matinee in Edinburgh in early January.
But I had been emotionally unravelled. I’d been through the wringer and had come out the other end a whooping fan boy.
Exhausted, I staggered from the cinema gasping for breath. How on earth could a movie about a Jazz teacher and his drumming protege elicit such a visceral reaction? It’s hard to say why because on the surface (subject aside) there is little that’s fundamentally original about the movie’s structure. But what there is, is two absolutely gut-wrenching and enthralling performances that smash your emotions all over the cinema. Hits to the solar plexus are about the size of it.
The story concerns the relationship between a 19 year old drumming major in his first year at North America’s best music conservatory and his desire to succeed at almost any cost in carving out a springboard and a shop window for a future career as a ‘Lincoln Centre’ core member.
His tutor is, if anything, even more focused than he is, and certainly as unforgiving and intolerant of anything less than perfection as it’s possible to be.
The result is a fascinating emotional power struggle, shot through with manipulation by both protagonists.
Much has been said about JK Simmons’ barbaric performance as the tutor and Jazz Studio conductor who has expectations the height of Everest. But far less credit has been given to the equally powerful turn by his pupil played by Miles Teller. Simmons simply could not have achieved the heights he has without this perfect foil.
The film smoulders from the opening scene and aside from Simmons and Teller pretty much nothing else matters (other than Charlie Parker, Buddy Rich et al whose canon of work is electrifyingly brought to life by the Studio Jazz Band that Teller so wants, no needs, to join).
Much of it consists of boot camp scenarios where imperfections are punished again and again and again. It’s these scenes that create the unbearable tension. But punctuating these are the human side of it – like Teller’s inability to build any relationships at all, other than with his single father. Drumming is always more important. And not just drumming; but drumming fame.
Do not let the subject matter put you off.
Do not let the fact that this is a jazz infused hour and a half, much of it in performance put you off.
This really is a very special movie indeed and fully deserves a straight ten rating.
Filed under: Arts, creativity, music | Tags: african music, Classica Orchestra, classical jazz, classical music, entertainment, fela kuti, jazz, world music
I discovered this record in Italy. It was produced there and that maybe explains why there are no reviews to be found in Google. But take it from me if you like African music you will surely love this classical/jazz take on the work of Fela Kuti.
Filed under: Arts, creativity, music, Scotland | Tags: Also in White, Bill Wells Trio, Domino Records, east neuk, East Neuk of Fife Music scene, Fence collective, folk, freeform jazz, jazz, King Creosote and Jon Hopkins, scottish folk, scottish jazz
This track is as good as jazz gets.
I rushed out and bought the album which is called “Also in White” available online from The Domino Records website. He’s Scottish.
Domino also published King Creosote and Jon Hopkins’ album earlier this year.
Have a try
It is sublime.
Filed under: advertising, Arts, life, music, stories | Tags: designers, fashion, jazz, melody gardot, pauw
Plays a cracking new Melody Gardot toon as you browse. Check it out here.
Filed under: Arts, music | Tags: Baby I'm a fool, Grammies, jazz, melody gardot
At last, a Melody Gardot video.
It perfectly catches her silky smoothness. But the album’s title track (My One and Only Thrill) is even better. This album has Grammy written all over it – in a good way – trust me.